Charles Isley was born in Oxford, Ohio, but moved
to Gary, Indiana, at the age of two. Though he was not born in
Indiana,
he spent much of his youth in Gary where he attended Emerson High
School and Gary College, now known as Indiana University Northwest.
Isley
wrote fondly of the shores at the southern tip of Lake
Michigan in his two short collections of poetry: Dune Song and Dune
Trail.
In the introduction
to Dune Song, Isley explains his connection with the dunes: “The dunes
held forth that serenity of ages quietly listening to the life pulsing beneath
the calm, the rhythm of the seasons. I became aware of how the wind, weather
and dunes interact, and a beauty I had never known before” (3). Each
of the 55 poems and the single story featured in Dune Song describe Isley’s
memories of the beaches, dunes, plants, and wildlife that he encountered at
Lake Michigan during his childhood.
Dune Song begins with an allegory entitled “Duneland
Legend” that
explains why the “Northwind” blows across the lake toward the dunes. According to Isley’s folklore, the wind was enamored with a
slender and beautiful pine tree that grew on the dunes. The pine tree teased
the Northwind
by dancing in its breezes, but the dunes warned the tree that if she continued
to dance with the wind, it would someday kill her. When the pine tree did
not listen to the dunes and continued to dance in the wind, the sands slowly
began
to drift down the slopes of the dune and the tree began to panic. The Northwind
tried to save the dune by blowing at it harder, but the sands only drifted
faster, and soon the dune was leveled and the tree was uprooted. Now the
Northwind continues
to blow across the dunes, looking for another tree as beautiful as the pine
tree.
Similar to “Duneland Legend,” the poem “Duneland
Symphony” also
personifies the elements of nature:
The seagulls pause to add their eerie
cry,
Whispering of sands among the grasses,
Soft breezes in the pine trees gently sigh,
Calling to each bird or beast that passes
To join the great diversity of tunes
That echo through the fastness of the dunes. (17)
Like “Duneland
Legend” and many other poems in Dune Song, “Duneland
Symphony” tells of the sands, winds, and birds that give the
land life and energy with their “sighs” and “cries” that
seem to sing across the dunes.
Many other poems in the collection such
as “Lullaby,” “Dune
Pine,” and “Benison” also tell of the songs and
movements of the land. In “Benison” Isley describes how
a child might interact with the elements of the dunes:
Follow the
trail the moonbeams make
Over the sand into the lake;
Run where the grey gull’s silver flight
Fades with the dusk to sullen night;
Swim where the crystal waters lave,
Ride the crest of a breaking wave;
Play, when the jolly, high winds blow,
Tug of war with the undertow;
Then when jubilant play is done,
Lie outstretched in the warming sun –
Absorb the joy that came your way
One summer on a sunny day. (32)
Near the end of the collection,
Isley breaks from the duneland imagery and writes of his fondness
for the environment of Indiana
in the
poem appropriately titled “Indiana”:
Tall timbers
spread broad arms to shelter game,
Bright crystal waters bathe the shifting sand.
Where song birds fling their strident symphonies
Along the rolling hills and rocky ledges
Across the open fields, among the trees
Where lilies bloom as game birds stalk the sedges.
Though Isley
was not a Hoosier all his life, he recognized the beauty
of Indiana’s
environment, and as he expressed in the final stanza of “Indiana,” he
felt drawn to the state’s appeal:
Oh, when a “Hoosier” heeds
his country’s call
Or other lands with offering of manna
Tempt him away from native garden wall,
He hears the constant whisper – “INDIANA”!
(55)
Isley’s Dune Trail features more poems about
the land and wildlife of the Indiana dunes. However, unlike Dune Song, Dune Trail includes several poems that
emphasize the relationship between the people who have
traveled the dunes both in the past and present. The poem “Potawatomi
Trail” tells
of the Potawatomi, a Native America Tribe that lived in
northern Indiana before colonization.
In the poem, the narrator recognizes that he walks along
the same trail that the Potawatomi had walked centuries
before him:
I feel the presence of the ghosts
Of every man who traveled here.
The narrator further meditates on the connection between
past and present that he experiences through the
environment:
I pick the spot where reeds grow lush
Where sinewed hunters bronzed and tall
Lurked silently in boat, on raft
To slay unwary water-fowl.
These thoughts I know while strolling on
The softness of the yellow sand;
I’m not alone—for with these ghosts
I share the beauties of this land. (13)
Isley further reflects
on the past in “The Calumet,” a
poem about how peace has always ensued on the duneland:
Battles
raged and warriors died
To the East—to the West—
To the South;
Pioneers were massacred—
Red warriors slew each other;
Many scalp-locks
Hung about the thighs
Of screaming, hideously painted red men.
Not so where the tall dunes roam—
Where the broad, placid river
Blended slowly
With the clear waters of the lake.
This was peaceful country
Where many tribes followed, unmolested,
The broad trail by the river.
The dunes and shoreline provided
a solace from the warring Native American tribes. The next
stanza
of the poem
leaps to the present
in which the dunes and shoreline
still provide solace, but today the dunes provide
a natural solace from the “smoke
of Industry”:
Today, though many of the broad
marshes
Have vanished,
The flow of the river is reversed
And the region hovers
Under the pall of the smoke of Industry,
There are still some spots
Where the trail winds, unchanged—
Where the marshes are broad
And the muskrat builds his hut.
Isley loves the duneland because of its promise of
escape from the threats of a violent world.
The
dunes are
nature’s
sanctuary, one of the few places where peace
has always existed.
Sources:
Isley,
Charles P. Dune Song. East Chicago, IN: Hypatia Press, 1982.
Isley,
Charles P. Dune
Trail. East Chicago, IN: Hypatia Press,
1949.
Thompson,
Donald. "Isley, Charles P." Indiana Authors and
Their Books, 1917-1966.
Crowfordsville, IN: Wabash College, 1974. 318.
Images:
Charles Isley Portrait courtesy of
the Isley family.
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