In 1812, Eunice Bullard White was born in West
Sutton, Massachusetts. She married Henry Ward Beecher in 1837,
and moved to Indiana with her husband immediately after her
marriage. Henry Beecher was later to become a well-known Presbyterian
minister, and for the first ten years of his career he would
serve two churches in Indiana. The first church he served
was the First Presbyterian Church in Lawrenceburg,
Indiana, on the banks of the Ohio River. Indiana had become
a state just two decades earlier, and it still had the rawness
of a newly settled territory. While Eunice Beecher enjoyed
the comforts of her life back East, she was excited and more
than willing to embark with her new husband to this unfamiliar
territory in order to support him in his ministry.
This enthusiasm and eagerness
would soon fade to disappointment as she realized that a minister’s
wife did not have the dignity and respect associated with
the same position back home, and that she was expected to
fill many demanding roles, none of which were familiar to
her. Her disappointment with Indiana was apparent in her writing
of From Dawn to Daylight; or, The Simple Story
of a Western Home. The novel centered on Mr.
and Mrs. George and Mary Herbert, who traveled to Indiana
to start a new life through the ministry. This novel, published
by a minister’s wife, was a thinly disguised autobiography
of Beecher’s own experiences in this unfamiliar land.
Not only were her new roles as a bride, a mother, and a minister’s
wife difficult to adjust to, but the land itself proved to
have an influence on Beecher’s rather discontented outlook
on this challenging lifestyle.
At this time, Indiana was "an isolated pioneer
state of dense forests,
muddy rivers, and unpredictable roads and bridges. Even city
streets, where pigs and sheep were free to roam, were unpaved
and strewn with stumps" (Vanausdall 18). When arriving
in Lawrenceburg, or what
Beecher referred to as “Glenville” in From
Dawn to Daylight, she remarked on her first impressions
of the land:
I was so well-prepared by my husband’s
descriptions, that I was not greatly surprised, when we
picked our way from the wharf to the house through mud
and over pigs; but my first impression was, that we should
find
these two articles, the staple commodity of this far-famed
region (50).
She repeatedly referred to the landscape and
its inhabitants in ways that, while far from complimentary,
nevertheless gave an accurate representation of pioneer Indiana.
Along with the unfamiliar land and people, the
climate was unfortunately ideal for illnesses such as malaria,
or the “ague,” as it was referred to then, and
the Herberts repeatedly suffered from this dreaded disease.
In fact, one of the members of the Herberts' congregation
disclosed the following to Mrs. Herbert:
"The whole region has always been suited
for fever and ague, ever since it was settled. When Mr.
Jackson and myself first came here it was frightful, but
as the country round about became drained and settled,
it
has gradually decreased, or rather become less severe"
(142).
The longer Mary lived in Indiana, the less harsh
her opinions about the landscape became. However, she still
felt that the countryside was lacking in comparison to her
beloved Massachusetts scenery. When approaching Indianapolis
for the first time, she described what many people notice
about the central Indiana landscape even today:
It is a broad, level stretch of land as far
as the eye can reach, looking as if one good, thorough
rain
would transform it into an impossible morass. How the inhabitants
contrive to get about in rainy weather I can’t imagine,
unless they use stilts. The city itself has been reclaimed
in part from this slough, and presents quite a thriving
appearance, being very prettily laid out, with a number
of fine buildings. Excepting in the main business streets,
the houses are not so huddled together, after the manner
of our eastern cities; but each has a fine back and front
yard, and the streets are broad, with shade trees on
every
side. On the whole, when seen on a fair, sun-lighted day,
it is rather attractive at first sight, but after a while
the eye tires of the sameness, and longs for some one or
two elevated points to rest on, if it be but a mole-hill
(140).
Mary’s opinions about the land and her
surroundings were not wholly negative, and one of her solaces
was tending to her thriving garden. She and her husband frequently
would work in their garden in the morning, before the daily
calls and business began. The garden was most likely a result
of Henry Ward Beecher's extensive interest in horticulture.
While he did much to further the interest of horticulture
in Indianapolis, it was often through introducing non-native
species into the local ecosystem. Although his interest in
gardening was a reflection of an interest in the environment,
it is also an example of humanity's common urge to change
their surroundings to suit themselves. As Beecher writes in
From Dawn to Daylight, "[A] floral interest
had been gradually developed among the people, and at the
time I write, few small cities could be found, where ornamental
shrubs and trees were so abundant, or selected with greater
taste" (291).
Another change from Beecher’s eastern scenery
was her description of prairie
land. For example, after a particularly difficult time at
the Second Presbyterian Church in Indianapolis,
the congregation offered the Herberts and their children an
opportunity to travel for two weeks to renew their health
and spirits:
This journey was a new era in their life’s
history – a glorious spot of sunshine, following
a dark and gloomy storm. Prairie traveling was a novelty
to
both. Broad plains, eighteen and twenty miles in extent,
without a tree, shrub, fence, or building… They
would ride miles, guided by the sun, through nature’s
flower-gardens, regularly laid out in broad strips,
or patches, with colors
tastefully blended, harmonized, or contrasted. Acres of
wild roses, in full bloom, joined by equally extensive
fields
of purple, red, or crimson zenias; then the large, white
ox-eye, the golden buttercup or coryopsis, the deeper
purple,
almost black iron-weed – the only dividing line between
being the change in color, as one species of flower abruptly
displaced the other. The scene was varied occasionally
by a flight of birds, or a troop of deer, startled by
their
approach, bounded swiftly across their track, and were
soon lost to sight in the tall grass beyond. Silence reigned
all about them, broken only by their own voices, or the
slight sound of their horses’ feet, on the soft,
green sward (298-99).
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Indiana
prairie |
In 1847, after ten years in Indiana, the Beechers
left Indianapolis for
Brooklyn, New York. Twelve years later, Beecher published
From Dawn to Daylight, which caused such a sensation
that it was effectively banned in Indianapolis, because of
what citizens felt was a negative portrayal of themselves
and their city. The novel was quite the contrary, with honest
and frank descriptions of the city and the land. In fact,
after her move back East, Beecher referred to their term in
Indianapolis as being “a very happy home – for
many reasons the happiest we ever knew" (Vandausdall
22).
While viewed as a negative commentator on Indiana,
Beecher played a very important role in depicting what pioneer
Indiana was like for early settlers. Her ability to write
and later publish a novel in a time when women were still
shackled by convention speaks of her ability and talent, and
helps give a broader understanding of what pioneer life involved.
--SKL
Sources:
Beecher, Eunice Bullard. From
Dawn to Daylight; or, The Simple Story of a Western Home.
New York: Derby and Jackson, 1859.
Elsmere, Jane Shaffer. Henry Ward
Beecher: The Indiana Years, 1837-1847. Indianapolis:
Indiana Historical Society, 1973.
Vandausdall, Jeanette. "The Story
of a Western Home." Traces 2.2, 1990: 16-23.
Image:
In Elsmere. Henry Ward Beecher:
The Indiana Years, 1837-1847.
To our knowledge,
there are no sites dedicated to Eunice Beecher. If you know
of any, please notify us at landandlit@bsu.edu.
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