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Student Symposium 2021

References

Aaron Henry, L. (2004). Freedom Now!: Four Hard Bop and Avant-Garde Jazz Musicians’ Musical Commentary on the Civil Rights Movement, 1958-1964. Electronic Theses and Dissertations.

Blaire, C., & Michel, N. (2000). Reproducing civil rights tactics: The rhetorical performances of the civil rights memorial. Rhetorical Society Quarterly, 30(2).

Charland, M. (2016). Being-Jazz in the Middle. Canadian Journal of Communication, 41(3), 443-454.

Gridley, M. (2007). Misconceptions in Linking Free Jazz with the Civil Rights Movement. College Music Symposium, 47, 139-155.

Harker, B. (2008). In Defense of Context in Jazz History: A Response to Mark Gridley. College Music Symposium, 48, 157-159.

Lagace, M. (2009). Kind of Blue: Pushing Boundaries with Miles Davis. Harvard Business School Working Knowledge: Research and Ideas.

Magee, J. (2007). Kind of Blue: Miles Davis, Afro-Modernism, and the Blues. Jazz Perspectives, (1)1, 5-27.

Nisensen, E. (2001). The Making of Kind of Blue: Miles Davis and His Masterpiece. St. Martin’s Griffin.

Sellnow, D., & Sellnow, T. (2001). The “Illusion of Life” Rhetorical Perspective: An Integrated Approach to the Study of Music as Communication. Critical Studies in Media Communication, 18(4), 395.

Schewe, E. (2019). Why Miles Davis’s “Kind of Blue” is so Beloved. JSTOR Arts & Culture.

Shoemaker, D.B. (2014). Kind of Blue (Music for the Muse): Re/playing Autoethnographic Stories through Music. Text & Performance Quarterly, 34(3), 321-325.

References